Tolkien studies is a busy academic field. Here are a few calls for conference papers or essays that have come my way in the past few weeks. I don’t expect to keep up with every single call, but if you’re interested, you can search for the open Facebook page “Tolkien CFPs.” You can also find listings of conferences and more informal gatherings of fans around the world in the Facebook group “International Tolkien Fellowship,” a public page run by Becky Dillon.
My list is arranged according to the deadlines for proposals.
Tolkien Society Seminar
Leeds, July 4-5. Theme: Adapting Tolkien. Deadline for proposals: April 5. Details here.
German Tolkien Society Seminar
University of Augsburg, October 23-25. Theme: Tolkien and Politics. Deadline for proposals: April 30.Details here.
Tolkien Society Oxonmoot 2020
St. Anne’s College, Oxford, September 3-6. Open theme. Deadline for proposals: April 30. Details here.
Mythopoeic Society / Mythcon 51
Albuquerque, New Mexico, July 31- August 3. Theme: The Mythic, the Fantastic, and the Alien. Deadline for proposals: May 15. Details here.
Walking Tree Publishers: Cormarë Series
Theme: The Romantic Spirit in the Works of J.R.R. Tolkien, a publication to be edited by Julian Eilmann and Will Sherwood. Deadline for proposals: May 31. Details here.
We don’t often think of Tolkien as a playwright. Fantasy novelist — of course. Poet, scholar, artist – yes. But we shouldn’t forget that Tolkien also wrote one published play, “The Homecoming of Beorhtnoth Beorhthelm’s Son” – let’s call it “The Homecoming” for short – which was produced by BBC Radio and has been read or performed at various times.
Tolkien wrote other plays, though we don’t have the manuscripts any more, to my knowledge. As a young man, he wrote plays as holiday entertainments when spending time with his Incledon relatives; he probably wrote a farce, Cherry Farm, in 1911 and in the following year, The Bloodhound, the Chef, and the Suffragette (also playing one of the parts). He performed in plays while at school: in 1910 acting as the Inspector in Aristophanes’ play The Birds – in Greek! and also in Greek the following year, taking the role of Hermes in Aristophanes’ Peace. Near the end of 1911, his performance as Mrs. Malaprop in Richard Sheridan’s The Rivals was praised as “excellent in every way” (Scull and Hammond, Reader’s Guide 313-17).
And of course, all of his debating experience, often in humourous speeches, during his years at King Edward’s and then at Oxford would require a sense of the dramatic in taking up a persona and a position in argument (See the Scull and Hammond Chronology for reports of these debates). John Garth surveys these and other of Tolkien’s early comedic and parodic compositions, pointing out:
By thus limbering up in his early exercises as a writer, he was later able to apply the same skills—more finely tuned, of course—to the most serious topics and with the utmost gravity.”
Even later in life, Tolkien had a flair for the dramatic. Picture him at the Oxford Summer Diversions in 1938 reciting from memory Chaucer’s Nun’s Priest’s Tale. John Bowers, in his recently published book Tolkien’s Lost Chaucer, imagines the scene:
On the merrymaking occasion in summer 1938, Tolkien strode upon the stage costumed as Chaucer in a green robe, a turban, and fake whiskers parted in the middle like the forked beard shown in early portraits like Ellesmere’s.”
The performance received good reviews in the Oxford Mail, and in the following year, Tolkien returned to perform Chaucer’s Reeve’s Tale, this time producing a shortened and bowdlerized version of the tale for his performance (Bowers 208-211). The poet John Masefield, one of the organizers of the event, described Tolkien’s dramatic abilities:
Professor Tolkien knows more about Chaucer than any living man and sometimes tells the Tales superbly, inimitably, just as though he were Chaucer returned.”
(quoted in Bowers 209)
Above: Geoffrey Chaucer portrait and Tolkien in the 1940s (as close as I could get to the actual date of his performance). You’ll have to imagine Tolkien’s Chaucer costume! Tolkien image from The Guardian, 22 March 2014.
Tolkien’s recitations of Chaucer aren’t the only performances that his audiences remember. His biographer Humphrey Carpenter reports how he used to start his lectures declaiming the opening lines of Beowulf in Old English (137-38). Although students complained that during lectures he mumbled and was hard to follow, these moments of dramatic performance left striking impressions.
In other words, Tolkien had experience in writing and performing dramatic pieces, and I think that he put those skills to good use in “The Homecoming.”
So why don’t we usually think of Tolkien as a playwright? I can think of several reasons. For one, we only have one publication of his in this genre, easily overlooked in the volume of fiction, poetry, letters, and essays that he wrote.
I also think that there’s a tendency to view “The Homecoming” as alliterative poetry for two voices – more like a poetic dialogue not meant for performance on a stage. I would disagree based on the manuscript evidence, but my reasons will have to wait for another time.
Maybe another reason is that “The Homecoming,” inspired by the Old English poem “The Battle of Maldon,” first appeared in a scholarly journal, Essays and Studies, in 1953. Medievalists have been interested mainly in the short essay titled “Ofermod” that Tolkien appended to the play, which deals with “The Battle of Maldon,” and compares it to two other medieval texts, Beowulf and Sir Gawain and the Green Knight. But medieval scholars have not, in general, examined the play as a play.
Finally, we might not think of Tolkien as a playwright because of the negative comments that he made about drama in various letters and in his appendix to “On Fairy-Stories.” In that essay, for example, he claims that drama cannot adequately represent a fantasy world, but whether we agree or not, we should note that “The Homecoming” is different from Tolkien’s other writing. It’s not part of his Middle-earth Secondary World but is based on the aftermath of a battle that took place in 991 according to early English historical chronicles. “The Homecoming” is a work of historical fiction as well as being a play.
The play is now most readily available in the volume Tree and Leaf, tucked in after “On Fairy-Stories,” “Mythopoeia,” and “Leaf by Niggle.”
Tolkien certainly had definite ideas about how the play should be performed on BBC Radio, as his letters tell us, though he was dissatisfied with the BBC production that aired in 1954, with a rebroadcast in 1955. He recorded his own version at home in his study, distinguishing between the two characters’ voices and adding in his own sound effects. A copy of that recording was given out at the Tolkien Centenary Conference in 1992 (Scull & Hammond, Reader’s Guide 547). But you don’t need a copy of that tape to experience Tolkien’s voice dramatizations. Just listen to his reading of the “Riddles in the Dark” chapter from The Hobbit. He does a pretty good job of performing the roles of Bilbo and especially Gollum.
Above: listen to Tolkien’s voicing of Gollum in his reading of “Riddles in the Dark”
It must be pretty clear that I find Tolkien’s play very interesting; in fact, it’s the topic of my current research. I’ve written about “The Homecoming” as a World War One work in my recently published essay, “Bodies in War: Medieval and Modern Tensions in ‘The Homecoming’” in the collection “Something Has Gone Crack”: New Perspectives on J.R.R. Tolkien in the Great War. There, my thesis can be summarized in this way:
Like Tolkien’s better-known works of fiction, HBBS addresses issues of war and heroism that are relevant to a modern writer who is transforming his past experiences into fiction, and as is not uncommon with Tolkien, doing so through the lens of medieval literature.”
What currently interests me in “The Homecoming” is the skilful handling of alliterative metre in the play. Yes, this is a play in alliterative verses, which may sound old-fashioned and stilted, but Tolkien’s knowledge of and handling of alliterative verses is, I think, a tour de force in his creation of different styles in a demanding medium. If you’re able to attend the International Medieval Congress in Leeds , you can hear me talking about “Tolkien’s Alliterative Styles in The Homecoming” on Monday, July 6, 11:15, session 104. Look for an article as well, coming soon, I hope!
I’d love to know in the comments if you’ve read “The Homecoming” and what you think of it. Have you ever heard or seen it performed?
Bowers, John M. Tolkien’s Lost Chaucer. Oxford UP, 2019.
Carpenter, Humphrey. J.R.R. Tolkien: A Biography. Houghton Mifflin, 2000.
Garth, John. “’The road from adaptation to invention’: How Tolkien Came to the Brink of Middle-earth in 1914.” Tolkien Studies, vol. 11, 2014, pp. 1-44.
Scull, Christina and Wayne Hammond. J.R.R. Tolkien Companion and Guide.Reader’s Guide and Chronology. Revised and Expanded Edition. HarperCollins, 2017.
Smol, Anna. “Bodies in War: Medieval and Modern Tensions in ‘The Homecoming’.” “Something Has Gone Crack”: New Perspectives on J.R.R. Tolkien in the Great War, edited by Janet Brennan Croft and Annika Röttinger, Walking Tree Publishers, 2019, pp. 263-83.
Tolkien, J.R.R. “The Homecoming of Beorhtnoth Beorhthelm’s Son.” Tree and Leaf, HarperCollins, 2001, pp. 121-150.
As always, if you are an independent scholar (i.e. you do not have an institutional affiliation) and do not have access to some of these resources, please send me an email and I will try to provide private research copies if possible.
The city of Leeds will host a variety of Tolkien presentations this summer, from July 4th to the 9th, at both the Tolkien Society Seminar and the International Medieval Congress.
The Tolkien Society Seminar has just issued its call for papers, with the theme for this annual meeting being “Adapting Tolkien.” This year, the Society is extending the Seminar to an extra half day, so the full-day program will take place on Saturday, July 4, from 9 a.m to 6 p.m. and the following morning, Sunday, July 5, from 9 a.m. to 1 p.m. As the Tolkien Society page states, this is “a short conference of both researcher-led and non-academic presentations.” Suggested topics include the following (although papers do not have to be limited to these):
Adapting Tolkien’s works to stage and screen
Other adaptations: games, merchandise and Hobbit-hole hotels
The deadline for paper proposals in April 5; to submit, follow the link on the Tolkien Society Seminar page, which is where you can find more details about registration and location.
The Seminar is held just before the International Medieval Congress opens on the following Monday, where a number of Tolkien sessions will be held during the conference week. See this post by Andrew Higgins, one of the co-organizers of those sessions, for titles, dates, and times of Tolkien papers at IMC 2020.
Or you can check out the session details below from the program which has just been published online and mailed out to participants; these PDFs include session abstracts, which will give you a little more information about what the speakers intend to talk about:
I usually post full details of various conference programs closer to the time of the events, but for now, I’ll just post session titles for an overview of the upcoming Tolkien conference season this spring and summer. Details may change over the next few months, so always follow the links to the official programs for final details.
Tolkien at Vermont: April 4
April 4, 2020 University of Vermont, Burlington, VT Organizer: Dr. Chris Vaccaro
Special theme: Tolkien and Classical Antiquities
The Tolkien in Vermont website describes the conference as “an annual weekend of academic papers, fireside readings, and bonhomie, bringing together seasoned academics, students, independent scholars, and the general public…” — very true, in my experience.
The program hasn’t been posted yet, but this 17th annual event at the University of Vermont has announced its keynote speaker, John Wm. Houghton, well known to Tolkien scholars for his various publications and editorial work. Go to the website for more details.
Tolkien at Popular Culture Association: April 15 – 18
April 15 – 18, 2020 Philadelphia, US Organizer: Dr. Robin Anne Reid
May 7 – 10, 2020 Western Michigan University, Kalamazoo, Michigan
For more details about these sessions, you can check the sneak preview of the Congress program. Registration opens in February.
Thursday, May 7. 10 a.m. Medieval World-Building: Tolkien, His Precursors and Legacies Sponsor: Fantasy Research Hub, School of Critical Studies, Univ. of Glasgow Organizer: Dimitra Fimi, Fantasy Research Hub, School of Critical Studies, Univ. of Glasgow; Kristine A. Swank, Univ. of Glasgow Presider: Kristine A. Swank
Friday, May 8. 1:30 p.m. Deadscapes: Wastelands, Necropoli, and Other Tolkien-inspired Places of Death, Decay, and Corruption (A Panel Discussion) Sponsor: Tales after Tolkien Society Organizer: Geoffrey B. Elliott, Independent Scholar Presider: Carrie Pagels, Independent Scholar
Saturday, May 9. 10 a.m. Tolkien and Se Wyrm Sponsor: Tolkien at Kalamazoo Organizer: Christopher Vaccaro, Univ. of Vermont Presider: Yvette Kisor, Ramapo College
Saturday, May 9. 1:30 p.m. Tolkien’s Paratexts, Appendices, Annals, and Marginalia (A Roundtable) Sponsor: Tolkien at Kalamazoo Organizer: Christopher Vaccaro, Univ. of Vermont Presider: Kristine Larsen, Central Connecticut State Univ.
Saturday, May 9. 3:30 p.m. Tolkien’s Chaucer Sponsor: Tolkien at Kalamazoo Organizer: Christopher Vaccaro, Univ. of Vermont Presider: Christopher Vaccaro
Sunday, May 10. 8:30 a.m. Tolkien and Manuscript Studies Organizer: William Fliss, Marquette Univ. Presider: William Fliss
For more details about these sessions, go to the sneak preview of Congress sessions. The final program will be posted on the ICMS site.
The special theme of the 2020 Congress is “Borders,” which explains why there are three sessions on Borders in Tolkien’s Medievalism. Registration opens on February 10th.
J.R.R. Tolkien: Medieval Roots and Modern Branches Sponsor: School of Critical Studies, University of Glasgow Organiser: Dr. Andrew Higgins, Independent Scholar Moderator/Chair: Deirdre Dawson, Independent Scholar Session Day/Time: Monday 6 July (11:15-12:45)
New Sources and Approaches to Tolkien’s Medievalism – A Round Table Discussion Sponsor: School of Critical Studies, University of Glasgow Organiser and Moderator: Dr. Andrew Higgins, Independent Scholar Session Day/Time: Tuesday 7 July (19:00-20:00)
Borders in Tolkien’s Medievalism I Sponsor: School of Critical Studies, University of Glasgow Organiser: Dr. Andrew Higgins, Independent Scholar Moderator/Chair: Kristine Larsen, Central Connecticut State University Session Day/Time: Thursday 9 July (9:00-10:30)
Borders in Tolkien’s Medievalism II Sponsor: School of Critical Studies, University of Glasgow Organiser: Dr. Andrew Higgins, Independent Scholar Moderator/Chair: Sara Brown, Independent Scholar Session Day/Time: Thursday 9 July (11:15-12:45)
Borders in Tolkien’s Medievalism III Sponsor: School of Critical Studies, University of Glasgow Organiser and Moderator/Chair: Dr. Andrew Higgins, Independent Scholar Session Day/Time: Thursday 9 July (14:15-15:45)
And looking ahead to the summer:
Mythcon: July 31-August 3
July 31 – August 3, 2020 Mythopoeic Society – Mythcon 51 Albuquerque, New Mexico
Theme: The Mythic, the Fantastic, and the Alien
Registration is now open but the call for papers and program haven’t appeared yet.
Oxonmoot: September 3 – 6
The Tolkien Society – Oxonmoot September 3 – 6 St. Anne’s College, Oxford
Registration is now open but a program will come later. The call for papers will open February 9th.
I’d be happy to hear about any conferences I’ve missed in the comments.
You can find the submission guidelines here. Different sponsoring groups have different deadlines. For example, the Tolkien at Kalamazoo group would like proposals by September 1st (tomorrow!) while the final deadline for ICMS proposals generally is September 15th — though no one is advised to wait that long. You can search the complete call for papers for the Congress here.
Tolkien at Kalamazoo is sponsoring 3 sessions:
Tolkien’s Paratexts: Appendices, Annals, and Marginalia (Roundtable) Following the medieval manuscript tradition, Tolkien’s literary fiction includes charts, maps, annals and other paratextual elements, many found in the Appendices. These elements deserve further critical study. Taking his father’s lead, Christopher Tolkien has been meticulously editing J.R.R. Tolkien’s manuscripts, supplying commentary and emendations concerning the many cruxes within the notes and typescripts. As medievalists, we will bring this often ignored back matter and marginalia to the foreground.
Tolkien and Se Wyrm Tolkien admits to being influenced by the dragons of Beowulf and the Volsungasaga. In those medieval epic texts, the dragon is monstrous but somewhat uncanny and familiar to human kind; distinctions are blurred. Something similar happens in Tolkien’s fictions, presenting exciting new considerations on the subject of monstrosity. Papers could explore the interdisciplinary relationships between the dragons of medieval legend and those of Middle-earth.
Tolkien’s Chaucer With the upcoming publication of Tolkien’s Lost Chaucer (edited by John M. Bowers, Oxford University Press, 2019) readers of Tolkien have the opportunity to explore how Tolkien read Chaucer as well as how that reading influenced his fiction. This paper session might explore fourteenth-century ideas of romance, neoplatonism, self in relation to society, constructions of gender, etc., as they related to Tolkien’s texts.
Proposals for the above sessions should be sent to:
Dr. Christopher Vaccaro Email: email@example.com
You can also send Chris a proposal for the Tolkien Symposium which takes place on the Wednesday before the start of the conference. While the official CFP will come out later with a January deadline, the Symposium usually has an open theme and you can propose a paper now.
University of Glasgow, Fantasy Research Hub
Medieval World-Building: Tolkien, his Precursors and Legacies The recent volume Sub-creating Arda: World-building in J.R.R. Tolkien’s Works, its Precursors, and Legacies (2019), edited by D. Fimi and T. Honegger, examines the importance of invented story-worlds as spaces for primary-world social commentary, or as means for visualizing times and places not accessible to the reader. Tolkien was one of the foremost proponents of literary world-building, what he called “sub-creation,” and his Middle-earth has had unrivaled influence on subsequent world-building efforts. Yet, Tolkien’s own sub-creations were born from medieval story-worlds such as Beowulf,Kalevala, Volsungasaga, and others. This paper session examines the emergent, interdisciplinary research field of world-building through Tolkien’s Middle-earth, its medieval precursors, and/or its modern legacies. Papers might be on such topics as mythopoeia, design, systems of magic, geology, geography, cartography, cosmology, ecology, sociology, demographics, cultural anthropology, materiality, religion, philosophy, language—literally anything that goes into world-building—in conjunction with the worlds of J.R.R. Tolkien, or his medieval/medievalist precursors, or his worldbuilding legacy in literature or other fields. Papers on interdisciplinary topics are welcome.
Please send your proposals with “Tolkien World-Building” in the subject line to: Dimitra Fimi (Dimitra.Fimi@glasgow.ac.uk) AND Kris Swank (KSwank@pima.edu).
Marquette University Archives
Tolkien and Manuscript Studies J.R.R. Tolkien the scholar studied and taught medieval manuscripts. In imitation of these, Tolkien the author incorporated fictional manuscripts into his tales. He produced an enormous quantity of his own manuscripts in the course of crafting his Legendarium, which his son Christopher and others have closely examined. In his influential essay “The Great Chain of Reading: (Inter-)textual Relations and the Technique of Mythopoesis in the Túrin Story” (2002), Gergely Nagy explains that Tolkien’s mode of narrative development was akin to that of the medieval European tradition, writing, redacting, and expanding of numerous versions.
This session proposal invites papers on the role of manuscripts (as mise-en-page and mise-en-scène) in the life and works of Tolkien.
Contact: William Fliss Phone: (414) 288-5906 Email: firstname.lastname@example.org
Tales After Tolkien Society
Deadscapes: Wastelands, Necropoli, and Other Tolkien Inspired Places of Death, Decay, and Corruption (A Panel Discussion)
Legacies of Tolkien’s Whiteness in Contemporary Medievalisms (A Roundtable)
Contact: Geoffrey B. Elliott PO Box 292970 Kerrville, TX 78028 email: email@example.com
IMC Leeds July 6-9, 2020
The deadline for Tolkien proposals is September 6.
Sessions 1-3: Borders in Tolkien’s Medievalism – paper sessions These sessions will directly address the overall theme of the conference (“Borders”). Papers in these sessions can explore all aspects of borders in Tolkien’s works in its broadest sense. These can be explorations of geographical, conceptual, political and linguistic borders in Tolkien’s work as well as the role and impact of borders on the peoples and cultures of Tolkien’s world-building and in his other creative and academic explorations.
Sessions 4-5: Tolkien: Medieval Roots and Modern Branches – paper sessions These sessions can accommodate wider topics and new approaches to Tolkien’s medievalism, ranging from source studies and theoretical readings, to comparative studies (including Tolkien’s legacy).
Session 6 – New Sources and Approaches to Tolkien’s Medievalism This roundtable discussion provides a forum to explore new sources and approaches to Tolkien’s work. This can explore new academic work drawn from the most recent published editions of Tolkien’s work including The Lay of Aotrou and Itroun (ed. Verlyn Flieger, 2017), The Tale of Beren and Lúthien (ed. Christopher Tolkien, 2017), The Fall of Gondolin (ed. Christopher Tolkien, 2018) as well as new academic works such as Tolkien’s Library – An Annotated Checklist (Cilli, forthcoming August 2019) and Tolkien’s Lost Chaucer (OUP: Bowers, forthcoming September 2019).
If you are interested in participating:
Please submit a paper/round table contribution title and abstract to Dr. Dimitra Fimi (firstname.lastname@example.org) and Dr. Andrew Higgins (email@example.com) by 6th September
Length of abstracts: 100 words. (Papers will be 15-20 minutes long while roundtable contributions will be 10-12 minutes long). With your abstract, please include name and details of contributor (affiliation, address, and preferred e-mail address).
A note on how Kalamazoo and Leeds organizers select papers differently: for the ICMS in Kalamazoo, the session topics are first approved by the Congress organizers and then the session sponsors select presenters to fill the sessions. At Leeds, the session sponsors select presenters and send in the full session proposal to the Congress organizers to await approval. Sometimes, sessions are not approved.
On the day before the Congress begins (Sunday 5 July), the Tolkien Society sponsors a Tolkien Seminar, a full day of presentations. The call for papers will be available later this year.
The Tolkien Society’s 50th Anniversary celebration, Tolkien 2019, is over. Taking place in Birmingham from August 7 to 11, the event featured guest speakers, entertainments, an art show, masquerade, orchestra, the play Leaf by Niggle, and many speakers, of whom I was one.
For those who were fortunate enough to go, it was a wonderful opportunity to greet old friends and meet new ones, but no one could possibly attend every session in the program. For those who could not go to Birmingham, I know how hard it is sometimes to read all the excited posts about other people’s experiences. Luckily, a number of summaries have been posted of quite a few talks, and the special guest presentations are available on video, so there is much that can be seen both for those who missed the whole thing and also for those who were there but couldn’t get to every session.
Several bloggers have summarized the sessions they attended:
Marcel Aubron-Bulles at TheTolkienist.com posted late-night accounts of Day 1, 2, and 3.
Maria (pencilphilos) on Middle-earth News published photos and summaries: Part 1 covering Day 1 and 2, and Part 2 for Days 3 and 4.
Luisge on luiyo.net managed to get to an impressive number of sessions and events, all described here.
Jeremy Edmonds on TolkienGuide.com has posted the Tolkien Society videos of the special speakers and guest panels. You can also find the videos on the Tolkien Society channel on YouTube. These include talks by Dimitra Fimi, Tom Shippey, Wayne Hammond, Christina Scull, Brian Sibley, Jay Johnstone, Ted Nasmith, Alan Lee, and panels on illustrating Tolkien and on the upcoming LotR on Prime.
The Prancing Pony Podcast has offered some Ponderings on the conference, and their live interviews with some of the guests will be online on September 15.
Marie Bretagnolle has started her own summary of her experience of the conference events. Day One has been posted; keep going back to her site for the rest.
You can find abstracts of all the presentations and biographies of the speakers on the Tolkien 2019 website; click on the Programme and scroll through towards the end of the document.
Many of the summaries above comment on the same sessions. I’ll add a few speakers that I was interested in:
Dr. Sara Brown, “Taking Care of the Land: Stewardship in Tolkien’s Middle-earth.” Dr. Brown gave a thorough definition of the concepts of “home” and “stewardship” in Tolkien’s works.
Dr. Aurelie Bremont, “‘We should look at green again’: of magic, Green Elves, and the battle of good vs. evil.” Dr. Bremont discussed traditional medieval interpretations of green, the splintering of the light in Tolkien’s legendarium, and where Green Elves fit in the spectrum of Light and Dark Elves.
Kris Swank, “Travellers in Time: Tolkien and Joseph O’Neill.” Kris Swank discussed these two modernist authors of time-travel narratives who used similar themes.
Penny Holdaway, “Would you buy a house from the architect of Bimble Bay?” Penny Holdaway’s talk discussed “the rise of ecocriticism in the 1920’s-1930’s and how Tolkien’s Bimble Bay series, particularly his poem ‘Progress in Bimble Bay,’ connects to that movement” (Programme, p 38).
Dr. Una McCormack, “‘Not worth doing’: Fanfiction Writers and the Fourth Age.” Dr. McCormack explored some fanfiction stories dealing with the aftermath of the War of the Ring. Hers was one of a number of talks on fandom during the conference.
Marie Bretagnolle, “Artists in Middle-earth: Illustrating The Lord of the Rings.” Marie Bretagnolle compared two sets of illlustrations, one from the 1977 Folio Society edition by Ingahild Grathmer and Eric Fraser and the other by Alan Lee in the 1991-92 edition. This was one of several presentations on art and illustration during the conference, including talks by and about artists.
Dr. Andrew Higgins, “Four Brethren Heroes of the Gondolindrim – Egalmoth, Ecthelion, Glorfindel and Legolas: A mythic and linguistic exploration.” Dr. Higgins explored the philological and mythical aspects of these four characters present from the earliest Fall of Gondolin story.
Luke Shelton, “The Lord of the Rings, Young Readers, and the Question of Genre.” Luke Shelton presented some very interesting results from his research, which indicates that young readers do not think of genre in the same way as adults: critics tend to apply single genre labels but young readers tend to be more inclusive.
William Sherwood, “Rewriting the British Literary Tradition: Keatsian Echoes in Tolkien’s Early Works.” William Sherwood discussed the echoes of Keats’s poems in Tolkien’s Book of Lost Tales I and II.
Erik Mueller-Harder, “The Lost Connections of Tolkien’s First Map of The Lord of the Rings: Reconstruction.” The photo shows Erik’s first slide in his presentation but doesn’t do justice to the way in which he expertly illustrated the layers and overlaps in Tolkien’s first map of The Lord of the Rings. This was one of a number of interesting digital projects on Tolkien and his works, including those by James Tauberand Marquette archivist Bill Fliss.
As for my presentation — I’ll add a summary in the next few days. Watch this blog!
Before I post the final item, I’ll just mention Luke Shelton’s thoughts on post-conference feelings and imposter syndrome. As Luke points out, after several days of being energized and “on,” it can be hard for some people to come down. It’s important to know that you’re not alone in this feeling.
And now, if you’ve read this far, here is a treat: the closing plenary talk of the conference by Dr. Dimitra Fimi, in which she combines research and singing and audience participation in her “Tolkien, Folklore, and Foxes: A thoroughly vulpine talk in which there may be singing!” Enjoy!
(Please leave a comment if you’ve found some other good links about the conference.)
I was planning to be in Leeds today at the International Medieval Congress in order to attend the first sessions on Tolkien tomorrow, but bad weather diverted my flight, making me miss my UK connection, and landing me even farther away than where I started. So what do you do for an extra day stranded in a hotel room waiting for a rebooked flight? How about looking at Tolkien conference sessions coming up this summer in case you’re lucky enough to attend one of these events. Or if you’re not attending, you can see what people are working on and hopefully wait for the articles and books to come later.
The Leeds conference features 5 sessions on Tolkien. You can search through the huge online program, but it’s far easier to look at Dr. Dimitra Fimi’s blog, where she lists the speakers and papers in the sessions that she’s organized.
Another conference of note is Mythcon, taking place this year in San Diego from August 2 – 5. The scholar guest of honour is Verlyn Flieger. Keep an eye out for the program, as there are always sessions on Tolkien (and the Inklings).
The Tolkien 2019 conference promises to be a big event, with major speakers, artwork, music, and other evening activities. This event commemorating the 50th anniversary of the Tolkien Society will take place in Birmingham, UK from August 7 to 11. You can find the featured speakers and the list of other speakers and their presentation titles here. I’ll have more to say about my own paper in a few weeks!
It’s going to be a busy week coming up in Kalamazoo Michigan for Tolkien scholars. The Tolkien at Kalamazoo group, led by Chris Vaccaro and Yvette Kisor, is planning what has now become an annual symposium one day ahead of the International Congress on Medieval Studies at Western Michigan University. The Symposium, to be held off campus on Wednesday, May 8th, features a day of papers, some music, and a free screening in the evening of the new Tolkien biopic.
Following the Tolkien Symposium, the Medieval Congress kicks into high
gear starting on Thursday, May 9th, with several Tolkien sessions organized by
Tolkien at Kalamazoo and other departments or groups.
I used to compile this schedule to keep track of all the papers I wanted
to hear. I’m not going to Kalamazoo this year, but it’s still intriguing to see
what topics people are working on. Take a look if you’re curious, or plan your
schedule if you’re going!
Tolkien at Kalamazoo Symposium
Wednesday, May 8th Kazoo Books [2413 Parkview Ave, Kalamazoo, MI 49008]
12:00 – 1:00 Reconstructing the library of Michael H.R. Tolkien (1920-84) Brad Eden
– 1:30 Queer Hobbits: Language for the Strange,
the Odd, and the Peculiar in Tolkien‘s The
Lord of the Rings Yvette Kisor
– 2:00 Who maketh Morwinyon, and Menelmacar,
and Remmirath, and the inner parts of the south (where the stars are strange): Tolkien’s Astronomical Choices and
the Books of Job and Amos Kristine Larsen
Tolkien’s Early Para-Texts; A
Lit and Lang Exploration of The Heraldic Devices of Tol-Etherin
2:30 – 3:00 BREAK / Maidens of Middle-earth IX (music) Eileen Moore
– 3:30 The Grisaille Havens, Verdaille Dragon,
and Brunaille Lands: Brushwork in Tolkien’s Watercolors
–4:15 Marquette’s Tolkien Manuscripts in a Digital
Bill Fliss and John Rateliff
“Dreamlike it was, and yet no dream:”
Faramir’s Vision of the Passing of Boromir
Vickie Holtz Wodzak
A SELECT SCREENING OF TOLKIEN (FOX SEARCHLIGHT, 2019) 6:00 pm (Seating at 5:30!) AMC, 10 Portage Street. FREE
[EDIT May 5]: If you would like to attend the movie screening, you have to give your name to the organizer Chris Vaccaro before 5:30 that evening. You can email Chris at firstname.lastname@example.org.
International Congress on Medieval Studies, Thursday, May 9 – Sunday, May 12
Thursday 10:00 a.m. Session 17 FETZER 2016 Misappropriations of Tolkien’s medievalism (a roundtable) Sponsor: Tolkien at Kalamazoo Organizer: Christopher Vaccaro, Univ. of Vermont Presider: Richard West, Univ. of Wisconsin–Madiso
A roundtable discussion with Leigh Smith, East Stroudsburg Univ.; Robin Anne Reid, Texas A&M Univ.–Commerce; Kristine Larsen, Central Connecticut State Univ.; Anna Czarnowus, Univ. of Silesia; Stephen Yandell, Xavier Univ.
Thursday 1:30 p.m. Session 64 FETZER 2016 Tolkien and Medieval Constructions of Race Sponsor: Tolkien at Kalamazoo Organizer: Christopher Vaccaro, Univ. of Vermont Presider: Deidre Dawson, Independent Scholar
Sun-Soot: Ragnarok and the Servants of Sauron Larry J. Swain, Bemidji State Univ. Medievalist, Modernist, and Postmodernist Readings of Tolkien’s constructions of Race Robin Anne Reid, Texas A&M Univ.–Commerce Jihad / Crusade or Race War? The News from the Battle of Helm’s Deep Michael A. Wodzak, Viterbo Univ.
Thursday 3:30 p.m. Session 112 FETZER 2016 Tolkien and Temporality: Medieval Constructions of Time Sponsor: Tolkien at Kalamazoo Organizer: Christopher Vaccaro, Univ. of Vermont Presider: Brad Eden, Independent Scholar
Of Niggle and Ringwraiths: Tolkien on Time and Eternity as the Deepest Stratum of His Work Robert Dobie, La Salle Univ. Tolkien’s Anglo-Saxon Women: A Journey into the Medieval through the Modernity of Middle-Earth Annie Brust, Kent State Univ./Kenston High School The Eschatological Catholic: J. R. R. Tolkien and a Multi-Modal Temporality Stephen Yandell, Xavier Univ.
Saturday 10:00 a.m. Session 350 FETZER 2016 Medieval Song, Verse, and Versification in Tolkien’s Works Organizer: Annie Brust, Kent State Univ. Presider: Annie Brust
Noldorin and Sindarin Verse in the Lord of the Rings Eileen Marie Moore, Cleveland State Univ. Boethian Philosophy and Splintered Music: Decay through Time in Tolkien’s Legendarium Brad Eden, Independent Scholar Tolkien, the Beowulf-Poet, and the Phenomenology of Song and Identity Paul Fortunato, Univ. of Houston-Downtown
Saturday 12:00 noon Tolkien at Kalamazoo Business Meeting Bernhard 211
Saturday 1:30 p.m. Session 397 BERNHARD BROWN & GOLD ROOM The Medieval Roots of Tolkien’s The Fall of Gondolin Organizer: William Fliss, Marquette Univ. Presider: William Fliss
Four Brethren Heroes of the Gondolindrim: Egalmoth, Ecthelion, Glorfindel, and Legolas: A Mythic and Linguistic Exploration Andrew Higgins, Independent Scholar “Ic eom sæliden”: Medieval Romance Motifs in Tolkien’s Fall of Gondolin John R. Holmes, Franciscan Univ. of Steubenville From the Deeds of the Youth to the Arrival of a King Anne Reaves, Marian Univ.
Saturday 3:30 p.m. Session 449 BERNHARD BROWN & GOLD ROOM Tolkien’s Legendarium and Medieval Cosmology Sponsor: History Dept., Texas A&M Univ.–Commerce Organizer: Judy Ann Ford, Texas A&M Univ.–Commerce Presider: Judy Ann Ford
“It Lies Behind the Stars”: Situating Tolkien’s Work within the Aesthetics of Medieval Cosmology“ Connie Tate, Texas A&M Univ.–Commerce Cynewulf, Copernicus, and Conjunctions: The Problem of Cytherean Motions in Tolkine’s Medieval Cosmology” Kristine Larsen, Central Connecticut State Univ. Binding Faerie with the Chains of Time: Tolkien’s Failure to Finish The Silmarillion John D. Rateliff, Independent Scholar
Sunday 8:30 a.m. Session 509 FETZER 2016 The Legacy of Tolkien’s Medievalism in Contemporary Works Sponsor: Tales after Tolkien Society Organizer: Geoffrey B. Elliott, Independent Scholar Presider: Geoffrey B. Elliott
Caines Cynne in Azeroth: Tolkien’s Medievalism in the Warcraft Series Benjamin C. Parker, Northern Illinois Univ. The Two Eyes of the Dragon: J. R. R. Tolkien’s Beowulf as an Introduction to English Literature in Academic Enviroments Isabella Aparecida Leite Nogueira, Univ. Federal de Juiz de Fora; Mariana Mello Alves de Souza, Univ. Federal de Juiz de Fora Diluting Divinity: Connecting Genesis to Diablo by Way of Numenor Rachel Cooper, Univ. of Saskatchewan
April is a good month for Tolkien conferences in the U.S.
In a few days, the 16th annual Tolkien in Vermont conference will take place at the University of Vermont in Burlington. This year’s theme is Tolkien and Horror, and the keynote speaker is Dr. Yvette Kisor from Ramapo College, who will be talking about “The horror of the unnarrated: Implications for Tolkien’s reader.”
This is always a small and friendly conference, and this year there’s an extra treat for participants – a private, advance screening of the Tolkien biopic directed by Dome Karukoski.
In addition to Dr. Kisor’s keynote address and the after-movie discussions, there will be sessions on:
Nature, Madness, and Humor
The Perils of Faerie
UVM Undergraduate Voices
Horror of Words
Horrors of Modernity
On the Borders of Horror
You can find the full schedule of speakers and titles for Friday, April 5 to Saturday, April 6 here.
A couple of weeks later, the Popular Culture Association conference will be held in Washington, DC from April 17 to April 20. In contrast to the Vermont meeting, this is a massive event with many different subject areas. The Tolkien sessions, though, organized by Dr. Robin Reid, take place Thursday, April 18 to Friday, April 19 and focus on the following topics:
Adaptations of Tolkien’s Legendarium
Enchantment, Healing, and Despair in The Lord of the Rings
The Tolkien: Maker of Middle-earth exhibition has moved to New York’s Morgan Library where a series of talks and events has been planned. The programs for both children and adults have been so successful that they are pretty well sold out.
Here is the Morgan program, which started in January with Wayne Hammond and Christina Scull’s talk on “Tolkien and the Visual Image” on January 31. The New York Tolkien Conference and Fellowship is organizing a symposium on “Tolkien and Inspiration” on March 16-17 with some great speakers — unfortunately, also sold out. The only available tickets seem to be VIP passes to the Shire-themed “Long Expected Party.” Let’s hope that some videos or reports emerge from all these activities!