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Anna Smol

~ Department of English, Mount Saint Vincent University

Anna Smol

Monthly Archives: March 2015

Talks on Tolkien: Dawn Walls-Thumma on transformative works

28 Saturday Mar 2015

Posted by Anna Smol in Fan studies, Talks on Tolkien, Tolkien

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Corey Olsen, Dawn Felagund, Dawn Walls-Thumma, fan fiction, fandom, Fanlore wiki, Mythgard, Mythgard guest lectures, Mythmoot III, Organization for Transformative Works, Tolkien at Oxford podcasts, Tolkien Fan Fiction Survey, Tolkien in Oxford Symposium, transformative work

I had originally announced “Talks on Tolkien” as a winter series, and even though the snow is still slowly melting in my corner of the world, we have passed the spring equinox and the Fall of Sauron, which should be bringing us into a new age. So this post will present the last video in my series for this winter. That doesn’t mean that I won’t post a video here every now and then in the coming months, but I do have to move on to focus on other things.

The previous seven videos I’ve presented here have all featured established scholars who have published books in the field of Tolkien Studies (Flieger, Shippey, Drout, Croft, Garth, Fimi, Rateliff). I thought that for the last video, I would turn to a new scholar — though she is someone with plenty of experience in the area of fandom: Dawn Walls-Thumma, known as Dawn Felagund to some. Dawn’s talk, “Transformative Works  as a Means to Develop Critical Perspectives in the Tolkien Fan Community,” was presented at Mythmoot III in January. If you’re wondering what the term “transformative work” means, here is the definition offered by the Organization for Transformative Works: “A transformative work takes something extant and turns it into something with a new purpose, sensibility, or mode of expression” — in other words, fanfic, vids, artwork by fans can all be classified as transformative works.

In her presentation, Dawn talks about the rise of Tolkien fandom and the development of different fan communities with the advent of Internet fandom. She presents the results of a survey asking people about their experiences in fandom and why they write fanfiction. You can follow along with the super handout that accompanies the talk.

If you’re interested in responding to Dawn’s Tolkien Fan Fiction Survey, she is keeping it open until December. A couple of other sources that she mentions include the OTW Fanlore wiki, which has a Timeline of Tolkien Fandom. She also made use of data from another fan survey by centrumlumina, which you can consult here.

Dawn is currently a Master’s candidate in the Humanities at American Public University where, following Tolkien’s inspirations, she is working on a thesis on Beowulf.  She has presented at the Mythmoot II and Mythmoot III conferences, and will be at the New York Tolkien Conference in June speaking about the historical bias in Tolkien’s works and how this motivates the creation of fan fiction. She recently published an article in Mythprint. On her fan side, Dawn Felagund is the founder and owner of the Silmarillion Writers’ Guild, which just celebrated its tenth anniversary, and a moderator on the Many Paths to Tread archive and Back to Middle-earth Month, an annual event that seeks to promote the creation of Tolkien-based fanworks. You can also find her on Tumblr: dawnfelagund; Twitter: @DawnFelagund; or her blog, the Heretic Loremaster.

If you have a favorite Tolkien fan community or transformative work (or want to mention any other matter) please let us know in the comments!

Other Tolkien videos and podcasts

In selecting the few talks that I’ve featured in the last two months, I’ve had many videos and podcasts to choose from. If you’re looking for more, there are excellent talks in the Tolkien at Oxford podcasts featuring recorded lectures by Dr. Stuart Lee and Dr. Elizabeth Solopova and others. Tolkien in Oxford: A Symposium held at Merton College last November has now posted audio recordings of most of their presentations.

Of course, no series of Tolkien videos or podcasts is complete without the work of Corey Olsen, aka “The Tolkien Professor,” whose Mythgard podcasts are available from his website or iTunes. Mythgard has also recently instituted an online guest lecture series — an excellent idea, especially for people who can’t get to conferences. The first lecture in the series delivered just last week by Dr. Michael Drout on “Lexomic Analysis of Beowulf and J.R.R. Tolkien’s Scholarship on the Poem: A Confluence” is now available in video or audio files. You can also find occasional videos of Mythgard lectures online by Dr. Olsen and others.

This list by no means covers all that there is. For example, I’ve just discovered this audio recording of a lecture delivered in January at Wheaton College by Dr. Olga Lukmanova: “Tolkien in Russia: There and Back Again.” Or you can try a lecture by Dr. Alaric Hall on “Tolkien in Leeds.” There’s so much more out there, but I have to stop myself now as this is getting far too long to be a postscript! Hope you enjoyed the Talks on Tolkien series.

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International Tolkien Reading Day: Theme of Friendship

25 Wednesday Mar 2015

Posted by Anna Smol in Medievalisms, Publications, Research, Tolkien

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fan fiction, friendship, Frodo's Body: Liminality and the Experience of War, Male Friendship in LOTR, Oh Oh Frodo: Readings of Male Intimacy in The Lord of the Rings, The Body in Tolkien's Legendarium: Essays on Middle-earth Corporeality, The First World War, Tolkien Reading Day, Tolkien Society, World War I writers

Today, March 25 (the date of Sauron’s downfall) is Tolkien Reading Day, which originated with the Tolkien Society and finds readers around the world. The Tolkien Society has chosen “friendship” as the theme for 2015.

I hope you will read some Tolkien today. The theme of friendship can be explored in many ways in Tolkien, but if you’re interested in reading more about Tolkien’s handling of male friendships, you can take a look at a couple of articles I’ve written about the subject. The first is titled “ ‘Oh…Oh…Frodo!’: Readings of Male Intimacy in The Lord of the Rings” which was published in the scholarly journal Modern Fiction Studies in 2004. If you have a library subscription to Project Muse you can get it that way, but it’s also available on my Research webpage, or as a pdf download from the link above.

Another essay on the theme is the paper I delivered at the Tolkien 2005 conference in Birmingham, which was published in the Proceedings, The Ring Goes Ever On. A slightly expanded and revised version of that paper is available from my university’s digital repository (the Mount e-Commons) here: “Male Friendship in The Lord of the Rings: Medievalism, The First World War, and Contemporary Rewritings”.

Both of these articles place Tolkien’s representation of friendship in the context of World War I writers and include a look at contemporary fan fiction as an extension of some aspects of that.

A more recent piece has been published in a book edited by Christopher Vaccaro titled The Body in Tolkien’s Legendarium: Essays on Middle-earth Corporeality (McFarland, 2013). My essay, “Frodo’s Body: Liminality and the Experience of War” focuses on the psychological and physical state of Frodo, once again in the context of war writing, but it also includes a look at the role of his friend Sam. The link above will take you to the pre-publication version of the essay.

Happy Reading Day!

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Tolkien Studies at PCA 2015

21 Saturday Mar 2015

Posted by Anna Smol in Conferences, Fan studies, Tolkien

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cultural studies, Desolation of Smaug, fandom, film studies, PCA/ ACA, Peter Jackson, Tolkien fandom, Tolkien Studies

Popular Culture Association logoThe Popular Culture Association national conference is just around the corner. After a successful trial run of Tolkien Studies as a special area last year, the organizers have included Tolkien Studies as a regular topic in the annual program. This year features another packed program, once again organized by Robin Reid.

The conference will be held in New Orleans from April 1 – 4. The Tolkien sessions are all on Friday, April 3, with a business meeting on April 4.  If you’re interested, you can join the Facebook group, “Tolkien Studies at Popular Culture/American Culture Association” and/or read my summary of a couple of roundtables last year here and here. And please note that the list of panels below is subject to change — if you plan to go, always check the official program to make sure you have accurate and updated information.  As you can see, the Tolkien Studies sessions occupy a whole day, but if you’re around for the rest of the conference, there’s a huge range of other sessions on popular culture to take in.

Tolkien Studies I: Literary Studies 1
Friday, April 3, 2015 – 8:00 a.m. – 9:30 a.m.
Room: Studio 7

Kristine Larsen, Central Connecticut State University
“Ore-ganisms”: The Myth and Meaning of ‘Living Rock’ in Middle-earth

Victoria L. Holtz Wodzak, Viterbo University
Tolkien’s Gimpy Heroes: Trench Fever, Missing Limbs, and the Crippling Long-Term Effects of Injury

Margaret Sinex, Western Illinois University
“Nay, not Níniel”: The Wounded Psyche in the Prose Tradition of The Children of Húrin

Tolkien Studies II: Literary Studies 2
Friday, April 3, 2015 – 9:45 a.m. – 11:15 a.m.
Room: Studio 7

Megan Whobrey, University of Central Oklahoma
Middle-earth’s Eddaic Hierarchy of Music

John Rosegrant, private practice
The Man-Maiden and the Spider with Horns: Galadriel, Shelob, and the Dyamics of Loss and Gender

Rich Cooper, Texas A&M
From Folk Tale to Fantasy: J.R.R. Tolkien, Madame D’Aulnoy, and the Evolution of a Literary Form

Janet Croft, Rutgers University
The Name of the Ring: Or, There and Back Again

Tolkien Studies III: Film and Literary Studies
Friday, April 3, 2015 – 11:30 a.m. – 1:00 p.m.
Room: Studio 7

Steven Kelly, Kansas State University
Forget the Gold: Unpacking Conservative Ideology in Peter Jackson’s Film Adaptations of The Hobbit

Peter Grybauskas, University of Maryland
The Devil’s Due: Sporting Enemies in the Legendarium

David Bratman, Mythopoeic Society
“Smith of Wootton Major and Genre Fantasy”

Michael Wodzak, Viterbo University
Utumno Born and Utumno Bred, Strong in t’Arm and Thick in t’Ead:Who are Tom, Bert and Bill Huggins?

Tolkien Studies IV: Film Studies
Friday, April 3, 2015 – 1:15 p.m. – 2:45 p.m.
Room: Studio 7

Alicia Fox-Lenz, Independent Scholar
The Union between The Two Towers and the Twin Towers: Contemporary Audience Reception and the influence of war on The Lord of the Rings

Jennifer Spirko, Blount County Public Library
Extraordinary Orcs: Distorted Bodies in the films of The Lord of the Rings and The Hobbit

Janice Bogstad, University of Wisconsin-Eau Claire
Lineage, Family, and the Absent Mother: Comparing Tolkien’s The Hobbit to the Jackson/Walsh/Boyens Cinematic Renderings

Robin Reid, Texas A&M University-Commerce
Conflicting Audience Receptions of Tauriel in Peter Jackson’s The Hobbit

Tolkien Studies V: Cultural Studies
Friday, April 3, 2015 – 3:00 p.m. – 4:30 p.m.
Room: Studio 7

Phillip Fitzsimmons, Southwestern Oklahoma State University
The palantíri Stones in J. R. R. Tolkien’s The Lord of the Rings as Sauron’s Social Media: How to Avoid Getting Poked by the Dark Lord

Devena Holmes, Kent State University
Narration and Description: A Marxist Analysis of J.R.R. Tolkien’s The Lord of the Rings

Helen Young, University of Sydney
Playing in the Shadow of Middle-earth

Tolkien Studies VI: New Approaches to Tolkien Studies
Friday, April 3, 2015 – 4:45 p.m. – 6:15 p.m.
Room: Studio 7

Brad Eden, Valparaiso University
Preliminary thoughts on the library of Michael H.R. Tolkien

Quinn Gervel, University of Manchester/Ashbury University
Tolkien in Context

Jerem Painter and Michael Elam, Regent University
Orwell and Tolkien: Language and Survelliance in Middle-earth and Oceana

Michael Elam, Regent University
Storming the Ivory Tower: Tolkien’s Graduate-Program Possibilities

Tolkien Studies VII:  Roundtable
Friday, April 3, 2015 – 6:30 p.m. – 8:00 p.m.
Room: Studio 7
“In a hole in the ground there lived a fangirl”: The Complications of Tolkien, Fandom, and The Hobbit
Cait Coker Texas A&M; Kristine Larsen, Central Connecticut State University; Robin Reid, Texas A&M, Commerce

Tolkien Studies VIII:  Viewing of Desolation of Smaug extended edition
Friday, April 3, 2015.  8:15 p.m.
Room: Studio 7

Tolkien Studies IX: Business meeting
Saturday, April 4, 2015.  9:45 a.m.-11:15 a.m.
Room:  Galerie I

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Talks on Tolkien: John D. Rateliff, the Hobbit manuscripts, and Tolkien archives

19 Thursday Mar 2015

Posted by Anna Smol in Medievalisms, Talks on Tolkien, Tolkien

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A Brief History of The Hobbit, Bodleian Library, Dr. John D. Rateliff, Marquette Tolkien Archive, Marquette University, Oxford, Sacnoth's Scriptorium, The History of The Hobbit, Weston Library, William Fliss

One of the most exciting parts of scholarly research, in my opinion, is having the opportunity to read an original manuscript. This week’s “Talk on Tolkien” features the work of Dr. John D. Rateliff, who is an expert in Tolkien’s Hobbit manuscripts. Dr. Rateliff has studied Tolkien’s drafts and revisions of The Hobbit and these versions, along with Rateliff’s commentaries and notes, have been published in the two-volume History of The Hobbit. Recently, Dr. Rateliff announced that a shorter one-volume edition is forthcoming as well, a Brief History of the Hobbit. You can follow Dr. Rateliff’s work on his blog, Sacnoth’s Scriptorium, and on his website.

Although the video below is not a recording of a complete talk, it allows us to listen in on the question period after a presentation that Dr. Rateliff gave in 2012 at Marquette University, the home of The Hobbit manuscripts. You can hear all kinds of intriguing details in the video about Tolkien’s habits of revision, surprises in the manuscripts, different versions of The Hobbit, and more.

Dr. Rateliff talks about how Tolkien would often write on scraps of paper, including exam papers. Tolkien tells the story of how the first line of The Hobbit came to him one day as he was marking exams. Rateliff’s History of The Hobbit notes that this page does not survive, but here is Tolkien himself describing the moment in this brief clip:

I’ve found that people are sometimes surprised that all of Tolkien’s papers aren’t at Oxford where he was a professor for most of his life. But in fact, manuscripts of The Lord of the Rings, The Hobbit, Mr. Bliss, and Farmer Giles of Ham are all in the US at Marquette University (in Milwaukee, Wisconsin) in the J.R.R. Tolkien Collection  How did they get there, you might well ask? Listen to the Marquette archivist, William Fliss, explain:

I’ve spent a number of happy hours in the Tolkien archives at Marquette, although my experience is a mere glimpse compared to the years that Dr. Rateliff studied there. I’ve felt quite privileged being able to work in the bright and peaceful reading room of the archive, aided by the very helpful staff and surrounded by stacks of grey boxes filled with treasures.

Marquette Archives reading room

Marquette Archives reading room

For anyone wondering about what’s in the J.R.R.Tolkien Collection, you can check out their descriptive inventory of holdings. Aside from Tolkien’s manuscripts, the Collection is especially rich in periodical literature dealing with Tolkien. If you are interested in popular culture, the reception of Tolkien’s works, the history of fandom and zines, screen treatments and adaptations, take a look at this list of sources in the Collection’s periodical literature. I reported on a roundtable discussing various scholars’ experiences (including my own) with the archives at the Popular Culture Association last year.

The other major archive holding Tolkien materials, as might be expected, is at Oxford in the modern manuscripts collection. Here you can find some manuscript drafts of Tolkien’s work, such as The Homecoming of Beorhtnoth, as well as lectures, notebooks, translations, letters. Anyone with a chance to visit Oxford should definitely take an opportunity to tour the old and wonderful Bodleian Library, including the Duke Humphrey’s reading room (better known as the library in the Harry Potter movies).

But Tolkien’s papers are actually held in what was called the New Bodleian across the street from the old library. Scholars used to work in a fairly cramped reading room. You would check your bags at the door and after showing your reader’s pass proceed down a rather dark corridor into a long, crowded room at the end of the hall. Rows of tables seemed to be squeezed into the space between bookshelves, files, microfilm readers, and librarians’ desks. I think I remember windows, but if I recall correctly, they were rather high up on the wall and did not provide a view. But who cared when you were sitting there and handed a Tolkien manuscript to read! I spent many an hour in that room squinting at Tolkien’s scrawl and then typing at a furious pace to transcribe as much of what I was reading as possible before closing time.

That library has undergone an extensive renovation and has just recently opened to scholars and now to the public, renamed as the Weston Library. From the look of some videos and news reports the rooms are light and spacious — and apparently you can even buy a cup of coffee there! I can’t wait to go back — I hope very soon. The following video presents the mind-boggling massive extent of the Bodleian’s operations and includes a look at the new Weston building:

Anyone have any experiences or memories of archival work they’d like to share? Has anyone visited these or any other archives holding Tolkien materials?

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Talks on Tolkien: Dimitra Fimi on Folklore and “Sellic Spell”

02 Monday Mar 2015

Posted by Anna Smol in Medieval, Medievalisms, Old English, Publications, Talks on Tolkien, Tolkien

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Tags

adaptation, Anglo-Saxon Aloud, animated Beowulf 1998, BBC iWonder guide, Beowulf, Beowulf Launch Party, British Library digitised manuscripts, Dimitra Fimi, folklore research, Folkore Society, Middle-earth Network, Mythopoeic Scholarship Award, Mythopoeic Society, Sellic Spell, The Lay of Beowulf, Tolkien Society, Why do the Elves in The Hobbit sound Welsh?

My weekly “Talks on Tolkien” series continues with a video presentation by Dimitra Fimi. Dr. Fimi was part of the Beowulf Launch Party organized by the Tolkien Society and Middle-earth Network last spring, when Tolkien’s Beowulf and other related texts were first published. Dr. Fimi’s talk is a little different from my previous video selections in that she is not reading a paper to a live audience at a conference. The Launch Party was an online event featuring several commentators throughout the day who were giving their first impressions of the Beowulf publication. If you’re interested, the other recordings from that day are also worth a look.

One reason I chose this talk was to highlight the fact that the publication of Tolkien’s Beowulf includes more than just his translation of and commentary on the poem — intriguing as that is to Old English and Tolkien scholars. Dr. Fimi’s presentation focuses on one of the texts included with Tolkien’s Beowulf translation: a folktale called “Sellic Spell” (which can be translated as “wondrous tale”) that Tolkien wrote in both modern English and in Old English. The other text that’s included in the volume is a poem, or two versions of a poem, titled “The Lay of Beowulf” which is written in rhyming stanzaic form, very different from the original Old English alliterative meter.

The publication of these texts has given us not only Tolkien’s translation of the Old English poem Beowulf (an interesting research topic in its own right), but also adaptations of the Beowulf story in different genres — ripe material for analysis! Further, I believe that Tolkien’s rendition of  “Sellic Spell” in Old English warrants study of his ability to think and write in Old English. In the following video, Fimi outlines another approach to the story through the lens of folklore research.

Dimitra Fimi is the author of Tolkien, Race, and Cultural History: From Fairies to Hobbits, published in 2008, which won the Mythopoeic Scholarship Award for Inklings Studies and was shortlisted for the Folklore Society’s Katharine Briggs Award. She is a Lecturer in English at Cardiff Metropolitan University. Recently, she filmed two short videos for a BBC iWonder guide on Why do the Elves in The Hobbit sound Welsh? You can find out more about her videos and interviews on her website’s Media page, or follow her blog or her Twitter account: @Dr_Dimitra_Fimi.

To read “Sellic Spell” or “The Lay of Beowulf” you’ll have to buy Beowulf: A Translation and Commentary. But if you’re interested in the original poem itself, you can listen to a few lines of it on Michael Drout’s Anglo-Saxon Aloud website. The poem exists in a single manuscript called Cotton Vitellius A. XV, held in the British Library. You can find information about the manuscript in the British Library’s Online Gallery, and you can also leaf through the digitised manuscript (go to f.132r to see the beginning of Beowulf).

Adaptations of Beowulf have proliferated since the late nineteenth century in books for children and adults, and more recently as films. Some of you may know the 2005 Beowulf and Grendel movie, or more likely, the 2007 Robert Zemeckis version featuring Angelina Jolie as Grendel’s Mother. I especially enjoy the 1998 animated version made for TV featuring Derek Jacobi and Joseph Fiennes, which you can view below. It’s just one among many examples of Beowulf adaptations — and now we have more of Tolkien’s work that can be examined as part of this rich store of material.

If you have any favorite Beowulf adaptations, or if you want to say something about “Sellic Spell,” let us know in the comments!

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Dr. Anna Smol

This site includes my blog, "A Single Leaf," and webpages about my research and teaching in Tolkien studies, medievalism, Old English, and higher education pedagogy. Creative Commons License: <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by-nc-sa/3.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.

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